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Sunday 31 March 2013

Led Zeppelin at Southampton University 1973


A recording which is personal favourite and of special interest to me as I lived in the area for many years and even saw quite a few bands at this location in the latter half of the 70s.

One of the few existing 1970s soundboards of Led Zeppelin playing to a small (less than a thousand) "9/10ths male" student crowd (tickets cost £1). The atmosphere is rather informal and the performance does verge on the sloppy at times, especially when compared to the super tight mega performances they were about to give on the European tour a couple of months later, however this does have a certain charm of its own. Rather like the Rolling Stones at Leeds University (see my post here), it's interesting to hear a band that was now used to playing much larger sized venues returning to a smaller setting and engaging more informally with the audience. In fact it would  be the last time Led Zeppelin would tour to audiences of this size in the UK.

The sound quality is excellent. The band were recording shows at this time for a possible live album and some 30 years later this performance was actually mixed down for potential release however they (understandably) went with 2003's more grander sounding and, to be honest, better performed How The West Was Won. Although according to wikipedia the mellotron track from "Stairway to Heaven"  included on How The West Was Won was actually from this show.

A local historical note - Before Whole Lotta Love Plant informs the crowd that he had been to the toilet downstairs and asks  "Who's that geezer whose name is on the bog wall?" There are cheers and someone shouts out "Alan Whitehead" and Plant then dedicates the song to him.

Alan Whitehead was the President of Southampton University Students' Union at the time. He later became an MP for Southampton...

Old Refectory Southampton University 22nd January 1973
  1.  Rock And Roll
  2.  Over The Hills And Far Away
  3.  Black Dog
  4.  Misty Mountain Hop
  5.  Since I've Been Loving You
  6.  Dancing Days
  7.  The Song Remains The Same
  8.  The Rain Song
  9.  Dazed & Confused
  10.  Stairway To Heaven
  11.  Whole Lotta Love
  12.  Heartbreaker
  13.  Organ Solo
  14.  Thank You
  15.  How Many More Times
  16.  Communication Breakdown
A contemporary review of this show appeared in the local Wessex News. See below.





















 



Review in Wessex News by John Clark. 


“For two days, Southampton was blessed with the presence of the world’s top rock band.  On the first, it was the turn of the town, with Led Zeppelin blowing the minds of 2500 fans at the Gaumont. But the next day, our heroes came to the Union, and played to us in the Black Hole of Calcutta, or Old Ref. as it is sometimes known.  The Gaumont concert had been pretty tight, but not as good as I would have expected from a band that had been on the road for the past two months. But all my doubts were dispelled the next day.  I don’t know if it was the atmosphere, or just being right at the front of the audience, but the Old Ref. concert was just fantastic. There’s no other word for it.  They enjoyed it, and we enjoyed it, and that’s what matters.

“As usual, they were a bit slow to warm up – in fact ‘Rock n Roll’, their opening number, was very rough, and the next, ‘The Lady’, a track from LZ 5, wasn’t much better either.  ‘Black Dog’ followed, and the audience joined in instantly on the ah-ah-aaah chorus, whereas it took the Gaumont audience a couple of goes to get it right.  LZ were beginning to cook. ‘Misty Mountain Hop’ and ‘Since I’ve Been Loving You’ came next, giving John Paul Jones a chance to show us his dexterity on the keyboards. Until ‘Loving You’, Jimmy Page had been churning out the riffs to make his numbers boogie, but on this one he gave us his first solo, very fast one second, and slow the next, getting everything out of each note.

“Just to watch him moving his fingers up and down the fretboard made me very envious – he must have some natural gift. ‘Dancing Days’ and ‘The Song Remains The Same’, the two new numbers were the next, the first, a straight rocker very much in the LZ style, and the second, a longish complex number starting and finishing with some low tempo-melodic guitar playing, and connected with a heavy rocking bit and a superb organ solo from John Paul Jones.  The next number Robert Plant dedicated to the manager of the Gaumont – ‘Dazed and Confused’. This, a track from their first album, was used as a showpiece for Page’s long guitar solo. For part of this he used a big bow, and the highlight was when he hit the strings and got the note to echo back to him. When he’d been playing for about 10 minutes, the rest of the band joined in and stretched the number out to about 25 minutes.

“Next was a beam of clear, white light, as Plant called it, ‘Stairway To Heaven’. Plant’s vocals, which had been a bit hidden by page’s guitar before, came through beautifully, the song gradually rising to the peak of that superb rocking ending. That got everybody on their feet, and shouting for every LZ number under the sun. But Plant asked everybody to shut up for a moment, while he told them about his visit to the toilet.  On the bog wall, he saw this name – Alan Whitehead – and this next number was dedicated to him. It was ‘Whole Lotta Love’. The band went into a number of old rock and roll tunes, then ‘I Can’t Quit You Babe’, and back to ‘Whole Lotta Love’ for a tremendous climax to the show. A few minutes clapping, and they were back to give us ‘Heartbreaker’, and then ‘Thank You’, featuring John Paul Jones with a long organ intro., and back for a third time.

“Plant said how much they’d enjoyed the gig, and then they proceeded to play ‘How Many More Times’, the first time they’d done it for two and a half years. But youd’ never have known it, it was so tight.  Straight into ‘Communications Breakdown’, and then it was all over. See you again, they said, and a very nackered goodnight.  This was the only gig they recorded on the whole tour – because they reckon the acoustics of the old Ref are good – and after the show Jimmy Page said there would probably be a live album later this year. Let’s hope so – it’d be a great souvenir of a great show.”


Thursday 21 March 2013

The Pretty Things live on Pop 2 - 13th January 1971


By 1971 the days of the Pretty Things as a longer-haired, nastier, filthier version of the Rolling Stones were long gone. As was their R'n'B repertoire. They'd scored artistic, if not commercial, success with 1968's PF Sorrow concept album / rock opera, and had followed it up with the arguably superior Parachute in 1970.

The only original survivor from the R'nB days was singer Phil May. Guitarist Dick Taylor had left the previous year to go off and produce Hawkwind's first album. He was replaced by Pete Jolson and the other Pretties were now Jon Povey on keyboards, Wally Allen on bass and Skip Allen on drums. Phil May would also often take a back seat allowing the other members to take over lead vocals.

This concert and interview is from French TV's Pop2 program and is a bit of a stunner.

The interview is translated and overdubbed into French but if you can listen past that it is interesting for the band's comments on contemporary topics of the day - the "new culture", free concerts etc and even their old rivals the Rolling Stones are mentioned apropos of what happened at Altamont.

The band really rock and the second half of this shows them very much on top of their game. Easily as good as any of the other first division hard rock acts of the era. What a shame this line-up of the band did not get the recognition they deserved.


Pretty Things On Pop 2 - 13th January 1971.
Interview with Patrice Blanc-Francard.
She's a lover / In the Square / The Letter / Sickle Clowns




Freddie King live on POP2 - September 1973




Some fantastic footage of Freddie King on French TV's POP2 show on the 8th September 1973. Freddie was a massive influence on the 1960s British blues scene, especially Eric Clapton.

Hideaway / Sweet Home Chicago / Palace Of The King / Ain't Nobody's Business / Whole Lot Of Loving / Please Accept My Love / Look on Yonder's Wall


 



Sunday 10 March 2013

Cream live at the Spalding Bar-B-Que, 29th May 1967

On a warm sunny day at the end of May 1967, in the much fabled summer of love, two weeks before the Monterey Pop Festival and two days before Sgt Pepper was released, there was ... the Spalding Bar-B-Que 67.


Spalding is a market town (pop. 28,722) in Lincolnshire, England. It has an annual Flower Parade and not much else. However on Bank Holiday Monday, May 29th 1967, Cream, The Jimi Hendrix Experience, Pink Floyd, Geno Washington and the Ram Jam Band, The Move and Zoot Money and the Big Roll Band all turned up to play a gig in the local hall. The Tulip Bulb Auction Hall. Yes you read that right. Tulip Bulbs. And it was apparently just a large shed.

The festival was put on by local promoter Brian Thompson who in late 1966 had wanted to book The Move and Geno Washington but was also persuaded to take on the still unknown Jimi Hendrix Experience, Pink Floyd and Cream. In the 6 months between booking and gig however, the latter had all become rather famous, so the shed was sold out and possibly a tad overfull - the crowd do sound quite lively on the recording below and, even if it is 1967, they are probably more revved up on the local ale rather than anything hallucinogenic.


I don't know if any of the other bands were recorded or what the source of this is. Nothing else seems to have surfaced.  However, what we have here is a rather excellent recording of Cream's 40 minute set. The sound quality is surprisingly clear. Jack Bruce's vocals are buried but I suspect that was the way it was on the night. The band are raw, loud and economical. There isn't any of the lengthy improvisation of the American shows of late 1967 or 1968 but the band sound less weary and more exuberant. Ginger Baker's Toad drum solo is mercifully short too. We're Going Wrong and Stepping Out are outstanding. I'm So Glad features Eric ripping into the 1812 Overture as per the BBC sessions. It's a bit of a blinder. All in all a wonderful historic document. Thanks to whoever you are...

Actually it's hard to believe now that Eric Clapton was ever this noisy. Or that this ever happened. But then it was 1967. A year of legend, myths and half remembered daydreams... and when three of the most famous bands of the rock era played a shed opposite the village pub for £1.


Cream - Monday, May 29th 1967, Tulip Bulb Auction Hall, Spalding, Lincolnshire, England
Full setlist:
1. NSU
2. Sunshine of Your Love
3. We're Going Wrong
4. Stepping Out
5. Rollin' and Tumblin'
6. Toad
7. I'm So Glad

Here are some highlights from youtube.











More about the festival here
http://www.ukrockfestivals.com/spaulding-festival.html
and on this clip Benjamin Zephaniah tells the story of how it all came to be.






More on stranger than known
Celestial Voices - The Pink Floyd live at the Paradiso, Amsterdam 1969

Parallax - The Pink Floyd BBC Sessions

Peter Green - "A Mind To Give Up Living" - The Blues of despair...

Previously unheard Jimmy Page era Yardbirds live...

Ten Years After - Swing In 1969

Friday 1 March 2013

The Soul of Stax


Pretty much the only music I listened to in the 1980s was Soul. After the death of Punk in the late 70s there didn't seem to be anything around that had the same kind of passion and honesty. So I went retro. Only 60s Soul did it for me.

I remember hearing Otis Redding's Otis Blue and Wilson Pickett's In The Midnight Hour for the first time on Alexis Korner's BBC Radio 1 Sunday night Soul and R'n'B show somewhere around late 1979. Both albums were recorded at the Stax recording studios in Memphis (though not all the Pickett album was recorded there but the best tracks, like In the Midnight Hour and Don't Fight It, were). The music was powerful. The arrangements were lean. There was absolutely nothing there that didn't need to be there. The rhythm section was tight and funky. The horns punched out lines that responded gospel style to the singer's agony or ecstasy. Otis Redding and Wilson Pickett, and all the other Stax singers I was later to discover, like Sam and Dave, Eddie Floyd, Mavis Staples, Johnny Taylor... they had voices with enormous power and range that seemed to live the songs, not just sing the words. I was hooked.

Thus began a lifelong Soul obsession. And in the early 80s those original 60s LPs were getting pretty hard to find. There were no cheap CD reissues, box sets or compilations around in those days and you pretty much had to slog it around the second hand record shops to pick up old copies of American imports of Stax, Atlantic, Motown, Hi records... (American pressings were more highly prized because they were mastered from the original tapes and had noticeably better sound quality. I remember some of the UK pressings of Atlantic albums, which in the 60s were distributed by Polydor, sounded really godawful.) So I spent most of the decade pretty much going from one second hand shop to another on the look-out for pristine pressings of Aretha Franklin, King Curtis, Sam and Dave, The Meters, James Brown....  Even around Europe. Amsterdam, Paris, Copenhagen, Madrid... never mind the museums and restaurants what were the second hand shops like?

Listened to now, 60s and 70s soul sounds more marvelous than ever. Like the blues there's no arsing about or studio trickery. It's clean. It's real. Recorded more or less live. What you hear is what went down. Great singers. Great songwriters. Great musicians. Soul also had optimism. Fueled on the righteousness of good old gospel and the 60s Civil Rights movement, it had a belief in itself and the future. These were marching songs for changing times. People get ready. A change was gonna come...

The Soul of Stax
The home of Soul music in Memphis, Tennessee was Stax Records. It was founded in 1962 by Jim Stewart and Estelle Axton and it went bust in January 1976. Those 13 or 14 years are the classic years of southern Soul music.

The Soul of Stax, a 1994 BBC / French co-production directed by Philip Priestley, tells the the story of those classic years - the first hit with Rufus and Carla Thomas; the rise and international success of Otis Redding, Sam and Dave, the Staple Singers; the decline and fall of soul after the loss of optimism in the civil rights movement and rise in anger and militancy after the assassination of Martin Luther King; and finally, Stax's eventual bankruptcy.

It features Stax founders Jim Stewart and Estelle Axton, Isaac Hayes, Al Bell, Rufus Thomas, house band Booker T (Jones) and the MGs (Steve Cropper and Duck Dunn) and clips of Sam and Dave, Otis Redding and the Wattstax movie.