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Monday 18 November 2013

Previously unheard Jimmy Page era Yardbirds live recording "Glimpses" at the Fillmore July 1967

This is interesting. Uploaded by "Keith Relf" yesterday on Youtube, a previously unheard (at least by most people anyway) live recording of the Jimmy Page era Yardbirds playing the instrumental Glimpses (from the 1967 US only LP "Litttle Games") at the Fillmore in San Francisco.

It's an audience recording but the sound is really pretty good for 1967. Drums are clear and there is very little distortion. Jimmy Page can be heard playing the violin bow and there are taped sound effects which Page stated as being "the Staten Island Ferry, locomotives, shock sounds -- with textures from the bow".

I had a quick look round the net and can't find anything on this show or recording. It's really great stuff. And, as there are very few good quality late 60s live Yardbirds recordings around (and none featuring this track), it begs the really important question - Is there any more?

Embedding has been turned off on the Youtube post so check it out here http://www.youtube.com/watch?v=ayMnhTURtyM


Show poster designed by Bonnie MacLean

The Yardbirds, The Doors and others at the Fillmore Auditorium in San Francisco, July 25-30, 1967. Poster by Bonnie MacLean

Sunday 17 November 2013

The Cool Sound of Asturian Jazz - Carlos Pizarro's ethereal jazz piece "Nana pa Mama"


Gijon is a perky little city in Asturias on the northern coast of Spain. It holds a jazz festival every year and has quite a busy jazz scene based around a bar I've written about previously called the Cafe Alambique

Carlos Pizarro Quartet.NOV.2013_14
Carlos Pizarro  © Alejandro Nafría

For me one of the highlights of the festival this year was this gorgeous piece by local guitarist Carlos Pizarro and his quartet. This live version of their own Nana pa Mama seems to have a spacey ethereal atmosphere which is somewhat reminiscent of Miles Davis' In A Silent Way. It is brilliant to chill-out to after a stressing day at work. I love it and I've been listening to it all week. Like Miles' best work, it seems to transcend jazz and is just good music  -  whatever you want to call it.

Take a listen.




You could put that on after In A Silent Way just to maintain the mood couldn't you? The band are Carlos Pizarro - guitar, Javier Rubio - Sax, Horacio Garcia - Bass and Felix Morales - Drums.

As I said, the above version of Nana pa Mama was recorded at the Jazz Festival but you can find the original on the quartet's new CD La voz del árbol (The Voice of the Tree). For me the album version doesn't have the same tension and therefore isn't quite as hypnotic however the album is of a consistently high quality and really shows off some the excellent original jazz on offer here in Asturias.

Carlos has put some of the album on soundcloud and here is the album's opening track Hasta Tu Ombligo Y Volver (To your navel and back).




Quite folk influenced, the above track seems to me to have a kind of late 60s Pentangle feel about it at times. The album has a kind of autumnal melancholy and some of the tracks are based around ideas of age and growing old. All band members contributed there own compositions and it is definitely worth checking out the other tracks on Soundcloud. Support the musicians and buy it if you like it of course.

Nieve (Snow)



I've written before about some of the great jazz being played in Gijon here and I've seen Carlos Pizarro play at the Cafe Alambique on a number of occasions now with a variety of line-ups. His playing is always considered and displays a precise and soulful economy. He's one of the most interesting musicians on the Asturian scene at the moment. Check out his website (in Spanish) here http://www.carlospizarro.es/ for more.

Meanwhile, replay Nana pa Mama and just chill...



Carlos Pizarro - "Que la música no muera y el arte nos salve."




More on stranger than known
The Alambique - Jazz Finds a Home in Northern Spain

20 years of the Xixon Sound 

Gregory Porter - The Gijon Jazz Festival 

Medeski Martin and Wood - Gijon Jazz Festival 

Asturias > Eight Miles High - Roger McGuinn 





Monday 11 November 2013

Gregory Porter - The Gijon Jazz Festival

Gregory Porter in the Jovellanos Theatre, Gijon 10/11/2013. Photo - LNE


Gregory Porter is one of those singers who could have been successful in any musical era of the last 50 or 60 years. One can imagine him as a great blues singer in the 40s, a jazz singer in the 50s or a soul star in the 70s. One hears echoes of Muddy Waters, Bill Withers, Marvin Gaye and even Nat King Cole in his rich baritone voice. He also has a mega talented band that don't just back him up but also launch off into areas of rapturous bebopified high speed jazz. Saxophonist Yosuke Sato is particularly outstanding (check out the solo around the 4.30 mark on Work Song below. Simply stunning).

The concert at the Gijon Jazz Festival on Saturday in no way disappointed. Any worries about the Jovellanos Theater being atmospherically cold and unsuitable (as per my comments on the Medeski Martin and Wood gig of the previous week) were put paid to pretty much by the second or third song into the set. This audience seemed more than ready and up for any required participatory activities and there was even a mass singalong when Porter surprisingly launched into Nat King Cole's "Quizas" in Spanish. The show built steadily to the intense blues holler / jazz bebopery of Work Song and by the encore Hey Laura, one can plainly hear an audience transported and a Gregory Porter triumphant.

We await his return.

Gregory Porter, vocals
Yosuke Sato, saxophone
Chip Crawford, piano
Aaron James, bass
Emanuel Harrold, drums



Work Song
Check out Yosuke Sato's jaw dropping solo from 4:30 on.




Quizas
A Spanish favourite




Hey Laura
Delicious 70s soul



Gregory Porter http://www.gregoryporter.com/





More on stranger than known
Medeski Martin and Wood - Gijon Jazz Festival

"Cool" - BBC Arena documentary

The Alambique - Jazz Finds a Home in Northern Spain




Tuesday 5 November 2013

Medeski Martin and Wood - Gijon Jazz Festival


Medeski Martin and Wood played the Gijon Jazz Festival on Sunday and turned in a pretty authoritative performance of keyboard led funk jazz. The somewhat up market and seated Jovellanos Theatre is perhaps not the best place to see a trio that, for the most part, specializes in dance music - OK with a few avant garde flourishes and a drum solo but most of it leans to the foot-tapping and hip-grooving heavy funk - and there was a disconnect in first half hour or so that felt like watching a movie with an overly reverential audience providing no response at all. Very odd. A stand up venue would have been much more suitable and we'll see how Gregory Porter fares in the same venue on Saturday. However, by the end of the 90 minute set MMW had broken through the ice and finished with a stomping Hammond driven Booker T and the MGs style soul groove and then a gorgeous slow blues as encore. Definitely the two highlights of the night.

There's er... very little to see in these two clips so just enjoy the music.