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Showing posts with label Byrds. Show all posts
Showing posts with label Byrds. Show all posts

Saturday, 16 April 2016

The Flamin' Groovies at the Gijon Sound Festival 15/4/2016




I have always had a soft spot for the Flamin' Groovies.

I bought their classic Shake Some Action as soon as it came out in the spring / early summer of 1976 on the strength of the review in the NME. That album, along with the first Ramones (which I bought exactly one week later - also on the recommendation of the NME) seemed to be the fast forward button into punkish things to come.

By 1976 there was change in the air. Punk was about to happen and the Groovies album, along with the similarly retro first two Dr Feelgood albums, appeared to point to the way forward, away from all the excess of early 70s glam and prog rock and back into a new refreshingly stripped down, black and white world of skinny ties, drainpipe trousers and the three chord trick.

In fact it's arguable that the Groovies were the first band to see 60s retro as a way forward - in the USA anyway. .At the time its resolute re-affirmation of the values of 1965 - three minute songs with catchy hooks and jangly guitars - can be seen as both a forerunner of, as well as an influence on, the likes of late 70s Mod revivalists The Jam, and also the later psychedelic Cosmic Amerikana bands of the early 80s - The Rain Parade, The Long Ryders et al.

Shake Some Action is a classic album brimful of some seriously catchy self penned songs (and a few covers) that still sounds fresh some 40 years later.

But it wasn't just that it had some great songs on it - I Can't Hide, You Tore Me Down, I Saw Her, Teenage Confidential are all classics - but it  also appealed to my own teenage 60s mod nostalgia obsession and I spent the latter months of 76 I trying to track down their previous albums Teenage Head and Flamingo - not easy in those days, as neither album had sold especially well and they were, by that time, long deleted.

However, due probably to the hype around the burgeoning UK punk scene and the Groovies evident influence on it along with other similar purveyors of high energy rock like the New York Dolls, Stooges and MC5 - whose albums I was also eagerly trying to track down at the time - both Teenage Head (1971) and Flamingo (1970) did get a surprise reissue as a double album package on the UK Kama Sutra label in late 1976.  

And when eventually I found it - in, of all places, Boots the chemist who, in those days, sold vinyl albums as well as cosmetics and aspirins - and took it home, I was staggered to hear a completely different band (Cyril Jordan and bassist George Alexander being  the only two musicians Teenage Head and Shake Some Action had in common) and musical approach; one that owed far more to the raunchy R'n'B of the Stones, and even 50s Rock and Roll, than to the jangling mid 60s poppery of the Beatles and Byrds. 

Teenage Head is in fact a classic hard rock album - comparable to the Rolling Stones' Sticky Fingers. Flamingo is no slouch eitherOn both albums singer Roy Loney swaggers and leers in best Jagger mode and guitarist Cyril Jordan also proves a dab hand at coming up with memorable chunky block chord riffs à la Keith Richards.  Lead track Teenage Head being a prime example.

As a guitarist Cyril should not be underestimated. Groovies albums are packed with some killer riffs - Slow Death, Heading For The Texas Border, High Flyin' Baby all come to mind and Shake Some Action (co-written by him and Loney's replacement, Chris Wilson) is a glorious pop song that really should have been a massive hit.





Strange to say though that despite being one of my favourite bands of 76 I never got to see them live.

So when I heard the reformed band - Roy Loney, Chris Wilson, Cyril Jordan, original founding member and bass player George Alexander, plus drummer Victor Penalosa - were coming to the Gijon Sound Festival on their 50th Anniversary tour, I was seriously looking forward to seeing them.

They did not disappoint. It was a blasting white hot set chock that drew on "hits" from both the early Roy Loney era and the later Chris Wilson band.

Cyril is still a very tasty picker and the years have given Loney's voice a power and confidence which I think he lacked as a younger singer.

Check these clips from Youtube for proof.

So, 50 years on from when they formed and 40 years on from when I bought Shake Some Action, this is how good they were...

Better than ever?

Shake Some Action!












More from the show here


More stranger than known

The Rolling Stones' finest hour - "Get Yer Leeds Lungs Out"...

Sunday, 22 June 2014

Hugh Hefner's "Playboy After Dark" with The Byrds, BB King, Tina Turner, Grateful Dead, Country Joe, Fleetwood Mac, Deep Purple...

 

A compilation of live performances by Deep Purple, Iron Butterfly, Taj Mahal, BB King, Canned Heat, Linda Ronstadt, The Byrds, Sir Douglas Quintet, Steppenwolf, The Nitty Gritty Dirt band, The Grateful Dead, Fleetwood Mac, The Ike and Tina Turner Revue and Country Joe and the Fish on Hugh Hefner's late 60s Playboy After Dark TV Show.

Hugh Hefner plays
Ritchie Blackmore's guitar
Watch this while you can. It may not be on youtube for long.

In the late 60s Playboy founder and editor / publisher Hugh Hefner hosted a syndicated TV talk show with musical guests called Playboy After Dark. The show portrayed a "typical" party at Hefner's pad complete with Playboy playmates and celebrities. Hugh would chat informally and some pretty cool bands would turn up and play live in his mocked up tv studio "penthouse". Ike and Tina Turner, James Brown, The Byrds (with Clarence White), The Grateful Dead (with Tom Constanten),  Deep Purple (with Rod Evans and Nick Simper), Peter Green's Fleetwood Mac, Canned Heat and Country Joe and the Fish are just a few performers seen in the compilation below  And all the while Hefner can be seen puffing on his pipe with a bunny or two on his arm looking like someone who, in 1969, would have passed for the epitome of square.

The Grateful Dead
BB King
To be fair, Hefner put these bands on TV when no one else was interested. To appear on Ed Sullivan you had to have a hit and be mainstream friendly. The Smothers Brothers show was pretty hip but again favoured bands like the Jefferson Airplane who'd had commercial success. This makes some of the clips here super rare and and gives Playboy After Dark a certain cool. This compilation is a joy to watch. Pure time trip. Sexy and fun. Fantastic Bands, great dancers, groovy clothes...
Classic 60s TV.


According to legend when the Grateful Dead appeared they dosed everyone with high grade acid and the cameramen ended up filming the ceiling. They weren't invited back.


Playboy After Dark
01. DEEP PURPLE (Oct. 23, 1968) And The Address, Hush. 02. IRON BUTTERFLY (Aug. 8, 1968) In-A-Gadda-Da-Vida, Iron Butterfly Theme. 03. TAJ MAHAL (Oct. 16, 1968) Everybody's Got To Change Sometime, EZ Rider. 04. B.B. KING (April 15, 1970) So Excited, The Thrill Is Gone. 05. CANNED HEAT (Jan. 20, 1969) Turpentine Moan, On The Road Again 06. LINDA RONSTADT (April 16, 1970), Lovesick Blues, Long Long Time 07. THE BYRDS (Sept. 28, 1968) You Ain't Goin' Nowhere, This Wheel's On Fire 08. SIR DOUGLAS QUINTET (Jan. 25, 1969) Mendocino, She's About A Mover 09. STEPPENWOLF (Dec. 17, 1969), Berry Rides Again, Monster-Suicide-America, From Here To There Eventually 10. THE NITTY GRITTY DIRTBAND (Dec. 11, 1968), Washington At Valley Forge, Alligator Man 11. THE GRATEFUL DEAD (Jan. 18, 1969) Mountains Of The Moon, St. Stephen 12. FLEETWOOD MAC (Jan. 8, 1970) Rattlesnake Shake 13. IKE AND TINA TURNER REVUE (Dec. 3, 1969), I Want To Take You Higher, Come Together, Proud Mary 14. COUNTRY JOE AND THE FISH ( April 16, 1970) Sing Sing Sing, I Feel Like I'm Fixin' To Die Rag

Big thanks to the youtube uploader.




Bonus - 2 shows
If that is not enough for you here are two complete shows featuring Ike and Tina Turner and Sammy Davis Jr. Fascinating viewing. Tina Turner is sublime and Sammy Davis looks like he's been getting wardrobe advice from Jimi Hendrix. The rest is occasionally ridiculous but no more inane that what you get nowadays on the Graham Norton show. Also features The Checkmates, Anthony Newley and a young Bill Cosby





More stranger than known





The Pretty Things live on Pop 2 - 13th January 1971...





Saturday, 8 February 2014

The Sadies - This Week's Greatest Rock 'n' Roll Band in the World live in Gijon, Spain


The Sadies are a band I was always going to like. They follow in the best musical tradition of the pioneering Byrds and, although Canadian, have trail-blazed their own version of Gram Parsons' Cosmic Amerikana. They easily and convincingly cross mid 60s Garage Rock with Psychedelic Country, Surf music with twangy Duane Eddy style mock western TV themes and R'n'B with knees up fiddle-led hoe-downs. If they are not the greatest rock'n'roll band in the world, they are quite possibly one of the greatest rock'n'roll bar bands you will ever see.

The Very Beginning (from the new album Internal Sounds)



The guitar styles of brothers Dallas and Travis Good compliment each other perfectly. Travis has a rapid fire picking style reminiscent of the Byrds' Clarence White and Dallas does a neat line in Townshendesque feedback-drenched buzzsaw garage rock rifferama. Mike Belitsky keeps a cracking pace on drums and Sean Dean's acoustic stand up bass is a welcome sight on stage and sounds so good you wonder why anyone bothers with the electric versions. This is a band with a wide and varied repertoire and the chops to do it all justice. They are not messing.

They really are a cracking live band. In the Sala Acapulco in Gijon, Spain on Thursday night they delivered a 2 hour set that included highlights of their new album Internal Sounds (possibly their best yet) and some mega hot cover versions - notably Love's A House Is Not A Motel and a final barnstorming medley that referenced mid 60s Garage punk faves like Them and The Count Five

A House Is Not A Motel



Final Encore Medley



If you like the Byrds around their Untitled period (especially the live cuts on that album) go see 'em. They will not disappoint. Ladies and Gentlemen, the Greatest Rock'n'roll band in the world!
Well from Canada anyway...

Buy their albums too. My own favourites are In Concert Volume 1, New Seasons and their most recent album (and very Byrdsian) Internal Sounds which could be their best yet.

The Sadies http://thesadies.net/



More stranger than known

Baby Woodrose and Kadavar in Gijon, 3rd May 2013

Jonathan Wilson - Retro-Futurism at the Centro Niemeyer, Aviles, Spain... 

The Tarnished Gold of Beachwood Sparks 


Wednesday, 7 August 2013

The Intergalactic Sofa - A Radio Kras Podcast

The Intergalactic Sofa ("one size fits all") meets the Radio Kras Tardis.


And when you touch down…
Do you remember when you first heard music? Did you ever hear a piece of music when you were a kid and suddenly things were never the same again? I remember hearing the Beach Boys' I Get Around on the radio when I was about 9 years old. It resulted in possibly the biggest peak experience of my life. In the three minutes or so that this song lasts some mysterious force in the universe picked me up, rearranged all my molecules, messed with my 9 year-old sense of reality and blasted my nervous system into a hitherto unknown region of the multiverse. Suddenly all the pieces in the cosmic puzzle fit and the universe roared YEEESSSSSS!!! Charged up? I was bloody soaring through the red... Then, finally, as the song began to fade, it deposited me safely back down in the family living room wondering what the hell was that? And where do I find some more? I was never really the same again. It gave me a passion for music and I’ve been chasing that buzz ever since.

That is what music does to you. That is what any good art will do to you. It makes you feel something and hopefully inspires you. And so...

The Intergalactic Sofa
When Gimi asked me to do another program with him on his In Campo Aperto show on Radio Kras I suggested doing something with a Grateful Dead / psychedelic theme. It is the music I have probably found most inspirational over the years and, in the case of the Dead, a pretty fail-safe tonic and general pick-me-up for when the times get too weird.

This post was actually the original inspiration for the show. Freak Out! In Praise of Improv
I ended up narrowing my choices down to about 5 or 6 hours of music. I knew I wanted to get the 19 / 09 / 1970 Grateful Dead gig at the Fillmore NY in as I think it is some of their finest recorded music. The rest we pretty much just chose as we went along.

We set the Intergalactic Sofa on auto-pilot for Eight Miles High; The Misunderstood took us to the Sun, Jonathan Wilson to the Valley of a Silver Moon and the Dead circumvented a particularly fine Dark Star. We finally ended up on the Quicksilver Messenger Service's Happy Trails.  A fine ending. Turned out quite well really...

Check the embedded program out below. Both Gimi and I agreed it's a pretty cool trip
Don't worry the chat is in Spanish. The music speaks for itself I hope this stuff inspires you as much as it does me...
  

The Intergalactic Sofa (gets you there on time)
  1. The Byrds - Eight miles high (Single). An apt start and Gimi and I chatted about how under-rated a guitarist Roger McGuinn is and how wonderfully berserk his playing is here.
  2. The Byrds - Why? (Single). From the era of Why Not?
  3. The Byrds - What's Happening? (Fifth Dimension LP). Crosby gets existential and McGuinn's guitar supplies the answers.
  4. The Byrds - Hey Joe (Fifth Dimension LP). The Byrds rock...
  5. The Misunderstood - My Mind (Before the Dream Faded LP). Hold tight. You can quite clearly hear steel guitarist Glen Ross Campbell tear holes in the very fabric of reality in the last 30 seconds.
  6. The Misunderstood - I Can Take You To The Sun (Before the Dream Faded LP).
  7. The Butterfield Blues Band - East / West (East / West LP). According to Joel Selvin when the BBB played San Francisco in '65 they had a massive effect the SF scene.
  8. The Grateful Dead Live at the Fillmore East, New York (September 19, 1970). http://archive.org/details/gd1970-09-19.mtx.chappell.SB14.31510.sbeok.flac16  Dark Star > St. Stephen > Not Fade Away > Darkness Jam > China Cat Jam > Not Fade Away. Some of the finest Dead music there is.
  9. Jonathan Wilson - The Trials Of Jonathan (Live in Aviles, Spain 8/7/2013).
  10. Jonathan Wilson - The Valley Of The Silver Moon (Live in Aviles, Spain 8/7/2013). Keeping the faith and a great live band.
  11. Cream - NSU live in Detroit Oct 1967. Eric tries to keep up with Ginger and Jack.
  12. Jimi Hendrix Experience - Red House (Live in San Diego - In The West LP). The skill and the ideas. Hendrix nails it.
  13. The Quicksilver Messenger Service - Mona, Maiden of the Cancer Moon, Calvary (Side 2 Happy Trails LP). The best psychedelic western film soundtrack that never was. 
  14. The Byrds - Captain Soul (Fifth Dimension LP). We hope you had a pleasant flyte...

Listen below


Download
available here http://radiokras.net63.net/index.php?id=1685
or here https://ww2.archive.org/details/Aperto2813




More on stranger than known

My Radio Kras Podcasts - From Punk to Funk

Freak Out! In Praise of Improv

Cream live at the Spalding Bar-B-Que, 29th May 1967

The Grateful Dead - 1969 Dark Star set to vintage 1950s San Francisco film

The Tarnished Gold of Beachwood Sparks

Texas International Pop Festival with Led Zeppelin, Janis, Johnny Winter, Delaney and Bonnie, Sly, Sam and Dave


Saturday, 12 January 2013

Asturias > Eight Miles High - Roger McGuinn

A wonderful solo acoustic performance of Eight Miles High by Roger McGuinn at the Pacifico Yokohama Hall, Japan, in November 2007.

Roger brilliantly incorporates "Asturias (Leyenda)" (1892) by Spanish composer Isaac Albéniz (1860–1909) in the intro and later on in the solo. This piece of music was also used by the Doors on "Spanish Caravan" on their 1968 Waiting For The Sun album.

The name Asturias (Leyenda) was given posthumously for the 1911 "complete version" of Albéniz 's Suite española. Despite the name, the music is not particularly Asturian as it is more reminiscent of the flamenco tradition of Andalucia. Asturias is a region of Northern Spain and its folk music borrows more from the Celtic tradition and features the droning Gaita (bagpipe).

Eight Miles High on bagpipes... now that would be something.

Roger's solo here is impressive indeed and the arabesque flamenco motifs go well with Eight Miles High's original eastern flavour - inspired, as the song was, by John Coltrane's India.







Sunday, 6 January 2013

"The Tarnished Gold" - Beachwood Sparks

The first post on this blog so I thought I would kick it off with my favourite album of 2012.

I can’t really say that I keep up much nowadays with contemporary musical events. I kind of lost some of the intensity of my mammoth rock obsession towards the end of the 90s in the post Britpop gloom of Radiohead’s “OK Computer” or the Verve’s “Urban Hymns” and I'm afraid to say nothing much has really intrigued me since. However last year I heard an album that for me ranks as one of the best musical offerings of the last few decades. An absolute stunner of an album almost seemingly designed to go straight to the core of my slightly dazed psychedelic pure pop heart.

“The Tarnished Gold” is that album and it's by a band called Beachwood Sparks.

Beachwood Sparks are singer / guitarist Chris Gunst, singer / bassist Brent Rademaker, singer  / multi-instrumentalist Farmer Dave Scher, and drummer Aaron Sperske. They are  also helped out by Ben Knight (The Tyde).

“The Tarnished Gold” is the album the Byrds could have recorded after “Notorious Byrd Brothers” and before “Sweetheart of the Rodeo”.  In an alternative reality in another part of the multiverse they probably did. It’s that good. And here it is beamed to us through a crack in the multi-dimensional matrix via Beachwood Sparks.

I really cannot understand why I didn’t see it on more top ten album lists of 2012.

Like the best of the Byrds’ mid 60s oeuvre the whole album seems to float in summer heat haze. Shimmering rickenbackers and glistening pedal steel guitars glide around monolithic harmonies and everything   s-l-o-w-s      d – o – w - n …    The air is thick, listen to the waves, the past is resonating and you are not quite sure when you are...

It's one of those wonderful old-fashioned albums where the sum is greater than the parts and it is therefore best experienced as a whole rather than as YouTube clips or individual mp3 song downloads. It is perfect California psychedelic beach music and you need to give up the time to go where it wants to take you.

So I’m not going to recommend any particular songs or analyse it like some kind of rock critic and if you want the Beachwood Sparks story you can check it out elsewhere. I will just recommend that you listen to the first 3 tracks. If you are not sold on the sheer sonic brilliance of the album’s trio of introductory songs Forget The Song > Sparks Fly Again > Mollusk then no words I may employ will convince you.




The band had made 2 albums previously and then split up for a while. Compared to those early albums this is a far more mature work. The standard of the song writing is much improved and remains consistently high throughout the album (and comparable with that of their influences). There is an occasional oddity ("No Queremos Oro") but that just makes it even more Byrdsian in the tradition of 2-4-2-Foxtrot or Oh Susannah.

You may hear a bunch of Roger McGuinn, Gene Clark, Neil Young, CSNY and Gram Parsons influences in all of this but for me none of those people (still living) have made anything this good since their heyday. These guys are good in their own right but working with those influences they take Cosmic American Music a way further down the road.

So if you think The Byrds’ Notorious Byrd Brothers is one of the best albums ever made check this out. You won’t be disappointed. It exists in the same somewhat ethereal head space and is an album you could put on after it to maintain the mood and even, I would say, much of the quality.

Beachwood Sparks. Even the name is perfect.

Official site
http://www.thecalmingseas.com/

Watch them live on this 38 minute video from KCRW. The harmonies are just a little bit more rickety than they are on disc but it gives you an idea. So sit back and...

 


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Summer 68

Summer 68